Catalogo Foscarini Maestrie

183 Mastery 182 Maestrie ▥∎㈦㹞♿䋾掌␆㦘䕻₏㡯ℛ㊶᧨㹞 ♿䋾₝␅⸒䋾掌䟴㦘ぽ㆑ᇭ Buds — Rodolfo Dordoni, 2016 p. 173 ⺊㔍⑆唁庒᧤䋿唁ᇬ冎唁ⅴ♙⅝ ₝㺶▥材䤓䪎䓸䂆⚗䓸₼噆㈦䤓㭤 唁᧥䤓⦉⇢䙊䜒䤓䥽䤓㢾⺕䋾␆₝孔 毿㧟㠨䤓唁庒扪₏㷴兢⚗ᇭ⦷ⅉぴ⛈ Ⓟ扖䲚₼⺕℣₹ₜ⚛䤓唁⻑♯┯ㇱ㒟 ⸒廹◝䤓⮥屑᧨⚛㢅㫈㗽䋾䤓㆏␂⛗ 䘿ₜ⚛䤓欫唁ᇭ Gem — L+R Palomba, 2017 p. 173 ₿⹛先䚕䤓噆㈦㈦䥙ℝ₏䱜槨㷱 㲰␔䤓⮜㧑ぴ唉᧨⛈Ⓟ劔㡯㽤㡚懻Ⓟ ❐᧨䙊䜒䤓㒟⨚⅝₼㉒兎㆏ⱚ䤓㿽楤 ✛䵚⇢Ⓤ槱Ⱁ⚛⦷欠䘖㽱⦍₼₏㫆⚠ 欅捷✛ㄤ捷㓸㟲ᇭ Gregg — L+R Palomba, 2007 p. 173 ⺕䙊䜒⛈⏴槨㷱䤓㲰␆₼᧨䟀ℝ ⛈Ⓟ劔ₜ厌㡚懻䤌䍌䕅䤓䁁㊐㧟㠨力 㡯㽤ℶ䞮⦕ㇱ᧨⅝力♾ⅴ㲰↎₏₹␆ 㦘䞮✌┪䤓㦘㧉⇢兢㨓ᇭ䋾凸䤓ₜ⺊ デ䤓槭⺈䱿㊶嫷䘿⒉₏䱜ಯ䐮㌘ರ 䤓㲰 ㆞᧨㹣怆兞␇䤓⑯⇤ㇱ䕅㦃㘴扠₝⮸ 䏅烔☄䪂䤓ㇱ㊐ᇭ Lumiere — Rodolfo Dordoni, 1990 p. 174 扠 30 ㄃䤓⹅廀幁承ℕ₏₹⦃兤 ⪉⥯✛䓸䱜㰑㊄♠⻤✛へ⦉䤓䋾䤓 㡞侊䤓懻♧ᇭ₏₹䓸䱜✛♵₏₹䓸䱜 ⃚梃䤓ぽ㆑♹㢾㈽⺞䤓㟈♧᧨㹣√✛ ⻉⺇䤓ぽ㆑᧨执₝㕘€✛㓚ぴⓅ⇫䤓 杬☚枇兢㨓ⅴ♙䟀Ⲑ⻋㓧⛈Ⓟ䙊䜒 ぴ▯Ⓟ⇫䤓䋾凸㦘␂ᇭ Mite — Marc Sadler, 2000 p. 174 扨㢾₏䱜䟀䙊䜒儳冃Ⓟ㒟㒹槱⃉ ⦕枴ㇱ䤓䋾␆᧨␅ₙ捷嬺䭂儳冃㒥煓 唁 Kevlar ® 儳冃▔守䧏᧨欅捷䤓杬Ⓟ 㔪䓸兎♜⺓䓖㘴兂⏘䄟ㄅ⚠ₙ㔤⺓⒉ ⏘兎ᇭ幍帰゗㫈㗽䘿ⅲ䤓⑞摜䪣 䴅 摜㠿幍帰ℕ↯兮䋾㪀䤓⇢䱾ᇭ Rituals — L+R Palomba, 2013 p. 174 ₝㡴㦻伂兇䋾䦇⇋䤓䤌唁唁庒↩ ℶ䞮䟀ಯ儳兕ರ力㩣✛䤓⏘㓏♠⒉䤓⺓ 兎ᇭ扨㢾䟀㓚ぴ冬⚗✛儾㓚ぴⓅ⇫サ 㧴䤓㟗㨫᧨♾ⅴ挎⏜㽍㩢㻰抈ᇭ⮥捷 㧰先䤓ₜ屓⒨㟗㨫㢾抩扖₏₹微槱 孔毿䤓㲰␆㧴噆㈦䤓᧨扨₹㲰␆∎ⅉ 勣㎂Ⓙℕ Isamu Noguchi 幍帰䤓兢 㨓䶈䋾䤓㻃㄂兎ᇭ Tartan — L+R Palomba, 2015 p. 174 䙊䜒䋾凸嫷槱兞扖搇夏⮓䚕᧨䔈 ㎞㘶Ⓟ䤓ㇱ䕅忚℗ℕ㦃䧏摜ℝ嫷槱 孔毿✛先䚕䤓幍帰⃊欧᧨啞㫋兖䓸䤓 德⦿⃮椞㿽楤兎䤓∎䞷力㦃┯䴐⒉ᇭ 㲰␆␔㦘䔈㸙䤓◿䡤᧨䙊䜒䤓嫷槱⦷ 扨K◿䡤㓏ℶ䞮䤓㢝㤦ℳ㦎⇫䞷ₚ 㧴⥭䲊┷ᇭ Twiggy — Marc Sadler, 2006 p. 175 扨㢾₹♾ⅴ才Ⓙ㓎梃⮶⺞䤓 䋾᧨⸒㩣懾䤓兎㧰㦏⮶㕘⇇浧ㄵ⃉ FP ⸒栎栎䤓㓚呑㦃㢾㈦䥙ℝ ␆⮖㩣橶㊶䤓䭂儳冃㞾㩅✛儳冃䙊 䜒䋾凸᧨㒟⻀ℕ₏₹䕻䔈䤓怔屓㲰䓸 ⇢᧨⸒✛废⦿愺⇢榖┷⃮㢾幍帰⏒ 侯⃚₏ᇭ Tress — Marc Sadler, 2008 p. 175 ℣䱜ₜ⚛⹌ㄵ䤓兢㨓儳冃㧮䦇 ℡摜♯᧨摜㠿幯摙ℕ↯兮棎㕘↾歝㫋 䤓摠⻭䋾᧨䞷䙊䜒儳冃✛䭂儳冃㧰Ⓟ 㒟䤓⦕㪀᧨庒唑ℕ⬨⭐✛⮸啀㨎ₙ䤓 ⏘兎✛棃㈀ᇭ ₹ⅉ丏⅚ Stefano Micelli p. 176 Stefano Micelli 㢾Ⲑ⻋㠾⮶ ⷵ丰䚕侊䟄⷟⟕┰₢₩䤓㟨㘗ᇭℛ ◐㄃㧴᧨Ⅵ⺈㠿㔏㦾⦷₼⺞←₩✛ ㎞⮶Ⓒぴ₩◉↯㜼䤓庍欧扪嫛ℕ 㖐兼㊶䪣䴅ᇭ⦷㟿ⷦ▥✛Ⓟ抯₩䪣 䴅欕⩮᧨Ⅵ₝ Banca IFIS 枅嫛✛ Make-in-Italy ⪉摠↩⚗⇫扪嫛ℕ ⮩₹欈䥽䤓䪣䴅᧨⃮㆏⻤ℕₘ㶰₢ 桷ⅴ㟿ⷦ▥✛⏷㠿Ⓟ抯₩⃉⃊欧䤓 ㎞㆞ಯ⒪⸱⢘㄃◝ರᇭⅥ囦㦘幇⮩㠖 䵯✛⃵仜᧨▔㕻 “FuturoArtigiano, L’innovazione nelle mani degli italiani” ᇭⅥ㦍嗲噆㎞⮶Ⓒぴ₩幍帰 ◞↩欐♠䤓 Compasso d’Oro 幍帰 ⮶⯥᧨挲⻙䤓⃊欧㢾㓚ぴ唉₝⏷䚒兞 㿝䤓ㆉ幍㊶ℳ娜ᇭ Manolo De Giorgi p. 176 Manolo De Giorgi 幍帰゗ℝ 1989 ㄃⦷伂⏿㆏幍ℕ呹む䤓ぴ⇫ ⸳᧨₢桷⅝ℚ劊㠿幍帰ᇬ⸳␔幍帰ⅴ ♙⻤❐幍帰ᇭⅥ㢾 Modo ₝ Domus 㧑㉦䤓冥戠ᇭⅥ㕔↊扖⮩欈⻤↩䤓 ㋊微徲ⅉ᧶ TechniquesDiscrètes (1991), 45-63: Un Museo del Design in Italia (1995), Marco Zanuso (1999) Camera con vista (2007), Olivetti: Una bella società (2008), Magnificenza e Progetto (2009), ⃮微徲冥戠 ⻤❐䥽㇤ᇭ♠嫷⇫❐▔㕻 Carlo Mollino: Interni (Segesta, 2004), Design (Zanichelli, 2007), Enzo Mari (Il Sole/24 Ore, 2011) ᇭ呹 ㄃ⅴ㧴᧨Ⅵ₝ Fondazione Bassetti ⚗⇫᧨抩扖▔㕻㒞⓶ Mani grandi senza fine (Piccolo Teatro Milano, 2011) ✛䟄㈀ Avanti Artigiani (2014) ⦷␔䤓㠿ㇱ㆞↯ 㜼ⴡ⇢㧴䪣䴅ぴ唉❐₝幍帰⃚梃䤓 ␂侊ᇭ Gianluca Vassallo p. 176 Gianluca Vassallo ⦷㎞⮶Ⓒ 㜡ₐ⼪♙⏷₥䟛䞮㿊✛ぴ⇫ᇭⒺ♺Ⅵ 㛓㈀゗᧨⥯⃉Ⅵ♾厌↩䞮㺣ᇭⅥ䤓⇫ ❐䀘♙展欠ᇬ檂欠ᇬ㛓㈀ᇬ孔函᧨⺳␅ 㽷摜䦇␂㊶✛扖䲚ᇭⅥ䤓⇫❐⦷㎞ ⮶Ⓒ✛⦌⮥䤓ₚ⒦㧉㨓✛初㦾氕⻤ 屗扖᧨▔㕻᧶ Caleum Gallery, 兌儵 (2017); Fondazione di Sardegna, ◰Ⓒ℩摛 (2016/2017); Portuguese Pavilion at the Venice Architecture Biennale, Ⲑ⻋㠾 (2016); Museo dell’Emigrazione, 棎啞⻋ (2016); FoscariniSpazio Soho, 兌儵 (2015,2016); Palazzo della Penna, ⇸漐忍 (2014); Schauwerk Museum, 截㉆唻 㫈 (2013, 2014); Museo MAN, ┹⯴処 (2014); Stadtgalerie, ⪉ ⺣ (2014); Temple of Hadrian, 処 泻 (2013); Masedu Museo, 嚷嚷摛 (2013); Fondazione Meta, 棎⺣䥥 処 (2013); Museo MART, 処冃榆㓧 (2012); PAN, 挲ₜ╡㠾 (2010) ᇭⅥ㦍 嗲噆 2013 ㄃ㄵ䔈⺣兂㇢ⅲ唉㦾⯥ㄅ 噆㈦ 2014 ㄃ㄵ Premio VAF 䔈Ⓔ㙟 ⚜ᇭⅥ䤓⏻␀唉㦾⇫❐▔㕻 Exposed (2013), Shoot Me Orlando (2016), La CittàInvisibile(2016) ᇭⅥ㢾 White Box ぴ⇫⸳䤓⒪ⱚⅉ✛唉㦾 ㋊䥠᧨✛␅Ⅵⅉ㓜₏拢⃉ぴ₩幍帰ᇬ 㢅⺩ᇬ⒉䓗欕⩮䤓⏻⚇✛㠖▥㧉㨓㙟 ∪㦜┰ᇭ Massimo Gardone / Azimut p. 177 Massimo Gardone 㢾₏⚜₢₩ 㛓㈀゗᧨₢桷⅝ℚ⦍䓖⒪㎞幯摙᧨₏ 扈兞嚴⟕₩✛冥戠欈䥽᧨₏扈扪嫛儾 䪣䴅ᇭⅥ䀘恂展屘↯㜼め㦘㟿㄃᧨⅝ ℚ⦍䓖ᇬ展欠₝幍帰⚝㦮⮓䚕᧨扟䞷 㛓㈀㔏㦾㓏⫠抯䤓⦍䓖↎啴♠⒉⭿ ❜₏咻ᇭⅥ₝㎞⮶Ⓒ㄂槱幍帰⮶゗⚗ ⇫᧨咃┪ℝ幇⮩咂⺙❐䓛䤓↯㜼ᇭ⦷ Ⓟ⇫ N+N Corsino ㈀⍞忓㠨✛喀嚁 ⻋批㈀⍞忓㠨㦮梃᧨⇫⃉㛓㈀㋊䥠䤓 Ⅵ⋩⒉ℕ咂␂摜尐䤓徰䖽᧨⥯力᧨嗲 噆ℕ㎞⮶Ⓒぴ₩幍帰◞↩欐♠䤓 2011 ㄃ㄵ Compasso d’Oro 嗲崘㙟⚜⯥᧨ ⚛㢅⃮⦷幍帰 Foscarini ℶ❐㡈槱噆 ㈦ℕ䌄㎮ᇭⅥ䤓⇫❐⦷㎞⮶Ⓒ⦌␔⮥ 䤓◩䓸氕✛初㦾氕䤓⏻␀✛䱐ⅉ⻤ 屗ₙ⻤⒉ᇭ Artemio Croatto / Designwork p. 177 展屘↯㜼ᇬ㄂槱幍帰ᇬ←₩㪖幕ᇬ 唉㦾㖖⺋᧶扨K掌㢾 Designwork ぴ ⇫⸳䤓兞嚴喒⦃ᇭ Designwork ぴ⇫ ⸳䟀 Artemio Croatto ℝ 2002 ㄃⦷ ⃛批␔⒪䵚ᇭ␅⸱㓆▔㕻㎞⮶Ⓒ✛ ⦌棔幍帰欕⺋❐䓛ᇬ囦⚜⒉䓗䯍ⅴ♙ ⮶⨚㠖▥㧉㨓ᇭ 2010 ㄃ , Foscarini 庆 Artemio Croatto ⦷ “Inventario” ⒉䓗欈䥽₼㕔↊唉㦾㖖⺋ , Artemio Croatto ⥯力嗲噆ℕ㎞⮶Ⓒぴ₩幍 帰◞↩欐♠䤓 2014 ㄃ㄵ Compasso d’Oro 幍帰⮶⯥ᇭ 2013 ㄃᧨Ⅵ㆏ⱚ ₝⇜ℝ処橵榆㓧䤓 MART ◩䓸氕✛ Mondadori Electa ⒉䓗䯍⚗⇫᧨年 ⒉䓗䯍Ᵽ㓧 Designwork ぴ⇫⸳Ⓟ ⇫㟿₹⻤屗✛㓚␛䤓㈀⍞ㄅ微徲↯ 㜼ᇭ忺㠾䔈㧑㉦㎞⮶Ⓒ⒕⏻⚇Ᵽ㓧Ⅵ 㔎㕔 “Home” 㧑㉦ⅴ♙ “Elle Decor Italia” 䤓㄂槱幍帰欈䥽ᇭ 2016 ㄃᧨ ⇜ℝ処泻䤓㎞⮶Ⓒ⦌䵚䘿ⅲ♙㇢ⅲ 唉㦾初㦾氕䤓⟕㪖✛←₩㪖幕幍帰 ⒉䌘᧨⃚⚝年ぴ⇫⸳⻀微徲丰䚕◩ 䓸氕⚓欈㿊┷₝⻤屗䤓↯㜼ᇭ 2017 ㄃ , Treccani Ᵽ㓧Ⅵ微徲 Treccani 桷㓆几䵨䤓㄂槱幍帰ぴ⇫᧨⚛㢅᧨ La Biennale Ᵽ㿍Ⅵ微徲Ⲑ⻋㠾䟄㈀唑 䤓⦍䓖㨓㊬✛㆏⧉ⷦヤⓅ⇫ぴ⇫ᇭ ℕⅥ䤓䉏㍔ᇭ Crea ✛ Vetrofond 扨 䱜⦷㧟㠨∎䞷ₙ䤓⒪㠿氥⏗㎞✂䧏 㔏㦾㟗㨫䤓♜懻᧶㻃㽴嬺幍帰⃉⹅ 䞷䓸❐ㄅ㟍㆒␅⑆⾊䤓䔈德᧷力⛈Ⓟ 䙊䜒⒨㢾塞怆⸒◝⃌䤓₏槱᧨⺕呹愺 塞◎ℝ₏侊⒦⹅␆䤓唁庒⃚₼ᇭ⸒ⅻ 䤓幍帰䞮ℶ㢾⺈㧟㠨帳䩴䤓₏䱜ぶ Ⱘಯ枨⇜ರᇭ 䶻ₘ₹㟔ℚ⒨㢾 Foscarini ₝ FAPS ⏻⚇䤓⚗⇫᧨⸒㢾₏₹␂ℝ㆏♠漫⃉ ⅉ䩴䤓㠿㧟㠨䤓㦘怲㫗√ᇭ扨䱜㈗⺠ ⦷⹅ㄼ䘾⬒₼∎䞷䤓㧟㠨⻀㢾䭂儳 冃᧨⸒䤓ㄣ䞷䪣䴅₝ FAPS ⏻⚇摜㠿 ⸩⇜ⅴⓜ䤓㫇㉒₩┰ಧಧ䞮ℶ浧㊶ 厌朢漋䶎⚛㷴扪嫛ᇭ ⃉ℕ挄㈹䂆⚗㧟㠨䤓䞮ℶ拊 戠᧨ FAPS 㔙䙊䜒儳冃₝␆㦘䭂儳冃 䤓䙊䜒㪠厑扨₳䱜㧟㠨兢⚗⦷₏怆ᇭ ⺈ FAPS 䤓劐㨎᧨ぴ䲚゗ Maurizio Onofri 㧴広᧨扨㎞✂䧏⺕Ⅵ䤓ℶ❐⺈ ₏₹⏷㠿䤓⟕❐喒⦃✛浧ㄵ⮩㫆▥ 䤓ゑ⧉㓢㆏᧨㡯幉Ⅵ䤓⸱㓆榏尐䤓㢾 ₏₹榅ↅ䤓㊶厌执㢾㦃戊䤓摜摞ᇭ 扨⃮㎞✂䧏᧨年⏻⚇め兞㆏ⱚ䞮ℶぴ ₩䅩䷡ᇬ呹嫛懵懵㩅ᇬⅴ♙⦕㪀ₘ屡 ゕ㧕ᇬゕ哈㨎㧰✛哈哄䤓ㆅ⇇捷⒕䷘ 咹䀆ℶ❐᧷㇢䏅᧨执㦘朢漋䶎ᇭ ₏K䦚⇋₝䙊䜒儳冃㼰㦘⮹⮩␂勣 䤓幍帰 (Richard Sapper ⦷ 1986 ㄃ ⃉ B&B 幍帰䤓位咃䤓 Nena 㔅㓚㮔㦘 䧏䙊䜒儳冃䤓兢㨓᧨⦷㇢㢅嬺帳⃉扖 ℝ⮜㧑力㡯㽤䞮ℶ ) ✛♦棟ℝ Alias ⦷ ㄶ㮔㡈槱兞洛ₜ恂䤓幍帰ℶ❐᧨掌䃃 㦪㔍Ⓙ呹愺␆㦘䔈㊶₣ₜ㟗↎扖㈏デ 屓㧟㠨䤓㠿⨚䂆⚗䓸ᇭ Marc Sadler 全 Foscarini 幍帰䤓 囌⦿䋾᧨⇋⃝㋿Ⰼ㙟∪ℕ㘱侱䙊䜒儳 冃✛䭂儳冃兓⚗䤓䇫⦷♠⻤䤓♾厌 ㊶᧨⸒⃮ⅳ FAPS ⏻⚇♑₝Ⓙ䏶㢝幤 洛䤓扖䲚₼㧴ᇭ⥯㷳᧨ FAPS ⅴ扨₳ 䱜㧟㠨⃚梃䤓勣侊✛⸒ⅻ䤓䂆⚗䓸 ⃉⪉䫏力♠⻤₩┰᧶䙊䜒儳冃᧨␆㦘 㨐⮶䤓䌄㿊㊶᧷力䭂儳冃᧨⒨␆㦘戒 ㇉䤓䫻ㄵᇭ扨₹兓⚗䤓䱧⹕⦷ℝ⺕ₜ ⚛伊⨚䤓儳冃✛㪠厑⦷扪⏴䐣䌘䍧 䍳ⓜ扪嫛䂆⚗ᇭ Tress 䤓㒟⨚㢾冯兤 ⦷↎⇪㢾ಯを㠨ರ₏㫆䤓€サ☆䷡ₙ᧨ ⸒⺕℣㧰ₜ⚛ㇱ䕅✛⹌ㄵ䤓兕サₜ 㠼摜♯力㨓㒟㪀愺᧨䏅⚝⦷䋾ㄶ✛⏘ 䄟凸⮓∎䞷ℕ䭂儳冃ᇭ Mite 㢾₏㷍 ␆㦘䘿ⅲ歝㫋䤓䋾᧨⸒㓏摖䞷䤓ₜ⚛ 䤓枴ㇱ㢾ⅴ䘿ⅲ㓚㽤⮓䚕ℶ❐⮥屑 䤓兢㨫ᇭ ⦷☚⻑♿ₙ᧨Ⰲぴ Fausta ✛ Lia ⺕䙊䜒儳冃兖䓸 ( Ⅵⅻ䱿⃚⃉⮥䤽 ) ⇇ ⻤㆏㧴᧨椞⚝⺕␅㟍ℝ㲰␆₼᧨ⅴ䫽 ≬⸒厌⸛⏷棓䧏ℝ☚ㆅ㧉ᇭ扨㢾₏䱜 ♳劐力⅁⒖䤓Ⲏ╎᧨夌䏅㦘㢅⃮䟀䟆 ㊶㧴㝜⇫᧨䏅力Ⰸⅻ㹣↊⇤ⅉ掌⋩㈦ 㦃Ⰼᇭ幤㎂₏ₚ᧶⦷₏₹⏔䅰浧䱠㔏 㧉⣷䤓⧉㣾₼᧨⮶⹅⃉₏₹䞮ℶ㿐䲚 䟨⒉↎⇪㢾子冬⃉㠿ⲧ摞愺⋩ⵐ嫲 䤓䴉梃᧨扨㫆䤓槨㷱䟊槱常㒠ⅻ⇢↩ Ⓙ扨₹䞮ℶ㿐䲚㓏榏䤓㢅梃ᇭ煠唁䓗 㦻䟀䭂儳冃€抩扖☆兎㧉㒟⨚᧨力煓 唁䓗㦻⒨摖䞷䔈㸙◙┯ぴ䤓⑾唨㕘€ Ⓟ⇫᧨扨䱜䔈㸙䤓㧟㠨⦷┯ぴ扖䲚㦃 ⹈㢢ℶ䞮劦忈ᇭ⺈⮶⻉⺇䭂儳冃䤓ㄣ 䞷✛⸭洛⒨嬺扪₏㷴ㆅ兼⦷ Twiggy 㺪⦃䋾䤓幍帰₼ಧಧ⸒䋾㧕䤓Ⓟ⇫ 㢾₹㔏㦾ₙ䤓楍欧ᇭ䋾㧕↩ㆾ㦁ㄅ㛕 ┷᧨⃉ℕ⸭䘿䋾㧕欓㦮ㆾㄵ䤓㧉㬿䔈 䍈᧨⸒嬺⒕⃉₳捷⒕᧶㧕䤓ㆅ⇇栎才 320 ⏻⒕᧨⸒䤓ㄤㄶ㢾₏₹䟀䭂儳冃 Ⓟ㒟䤓⧩⦉捷ↅ᧨力浧⮓䤓㘴♲⒨䟀 ㇉▥䙊䜒儳冃Ⓟ㒟᧨䋾㧕䤓欅䵾⒨䂊 ┯ℕ⯈⷟✛┯⦉㧰ᇭ㒠ⅻ常䋾㧕㦺䵾 㔎♦ 9 ⏻㠳䤓微嘆㧴洛幐␅㇉ㄵ᧷㒠 ⅻ⺈ 150 ₹㫆❐䋾扪嫛ℕ⸭洛᧨㧴䫽 ⸩䋾㧕䤓㩣橶㊶ᇭ⦷ Twiggy 䋾凸㧟 㠨䤓折㕸ₙ᧨㒠ⅻ∎䞷ⅴ煠唁㪠厑䧏 唁䤓䙊䜒儳冃兖䓸ಧಧ年㪠厑䤓摞 㢾兞扖位兕帰並䤓᧨扨㫆₏㧴᧨䋾凸 ⦷⒉䌘䤓㢅⊨☂∎榏尐䂔䚕᧨⃮♹↩ ⒪抯⒪抯₏䱜℠先㟗㨫力ₜ↩䟨ₚ ↊⇤㠠䍈ᇭ Twiggy 䤓䋾㧕⦷ FAPS 䤓☑㓎 摛ₙ䆕᧨㦏兗⸒䤓⮥屑折㕸㦘煠唁ᇬ 䋿䤌᧫㿔䋿ᇬ唂儱唁ᇬ㿔塤嘆唁㒥槪 坬唁ᇭ ㈦䥙ℝ戊䥗䤓⮜⚗㧟㠨᧨ Twiggy ♾ⅴ才Ⓙ 290 ⏻⒕䤓浧ㄵ᧷ 力 Castiglioni 幍帰䤓 Arco ⒨♹㦘 250 ⏻⒕ᇭ扨₳₹䋾摜摞ₙ䤓ぽ恬⃮ ⏔⒕広㢝扨ℕ⑯◐㄃㔏㦾䪣䴅♥㈦ 䤓㒟㨫᧶䦇⺈ℝ摜 64 ⏻㠳䤓 Arco 㧴 広᧨ Twiggy ♹㦘 17 ⏻㠳ᇭ 4. 扨₹⺈ぴ₩㓚ぴ唉䤓㰑䟴㡱⥭㦪 扖♊♗⻤㦪㦹㧴ᇭ 㷲Ⱁ℣◐㄃ⓜ䤓 Azucena 㒥 Danese ⏻⚇᧨ Foscarini ⑼⊮摖♥ ₝␅䦇⚛䤓ℶ❐㠖▥䷥䟴᧨⦷ゑ⧉₼ ◯㦘₏ゼ⃚⦿ᇭⰑ⅙䦚㧴᧨扨₳₹⏻ ⚇⦷♜䇽㿐䤓㡈槱㦘䧏㦃⃉摜尐䤓 ☕⚁㎞⃘ᇭ㇢㕴㦘楕₼䤓Ⓟ抯幍⮖⇋ ⃝㢾⅝ℚ䘿ⅲ幍帰䤓㉔尐ⓜ㙟㢅᧨扨 ₳₹⒕Ⓔ㒟䵚ℝ 1949 ㄃ (Azucena) ✛ 1957(Danese) ㄃䤓♠嫛⟕✛䞮ℶ ⟕᧨䞩咂㼰㦘㎂扖尐⦷⏻⚇␔捷䞮ℶ ℶ❐᧨⻀め⺕Ⅵⅻ䤓ℶ❐㘷ㄎⒿₜ⚛ 䤓ぴ₩◉✛⚓⦿䤓䞮ℶ₼㉒ᇭⅥⅻ䃇 䲊⦷ぴ₩✛ぴ唉⃚梃᧨䂆⚗䧏扨₳劔 䤓拊戠ಧಧ㹣Ⱁ Bruno Danese 㙟⒉ 䤓囦⚜尐㻑᧨尐㘡㻃丰䞮ℶ⟕ⅴ 30 ㄵ 屡⒖━䋿唁勩₨䍾丰᧨䞷ℝⓅ⇫ Enzo Mari 幍帰䤓 In Attesa ⨒⧍㬅ᇭ Foscarini ⃮⦷㔍⺊₏₹厌嬺懻 ▥㒟₏侊⒦ℶ❐䤓┯ぴ扖䲚ᇭ₏K ∪ㄣ⟕ㄅₜ䚕屲 Foscarini ⺈㦏浧 㪖⑕ⷫⷫₜ⊵䤓抌㻑᧨⦷㒠䦚㧴扨₝ ㇢㄃ Danese ぴ▯ⅻ䤓㔤幘₏㫆ᇭ⦷ Danese ⏻⚇᧨Ⅵⅻ摖䞷ℕ₏䱜₴㫋䤓 ⺈♑₝劔䤓棟Ⓟ✛⒕䷘儶㟎䷥᧨ⅲ嫷 ℕ₏䱜栎㦮䤓幍帰ₙ䤓呹㦘ℶ㧒 ( ♹㦘 Mari ✛ Munari ✛₳⇜ Danese ♑₝ 幍帰 ) ᇭ䏅力⦷ Foscarini ᧨㒠ⅻめ兞 ⺕扨䱜䚕㊄㕢⻤Ⓙ₏䱜⮩㡈♑₝䤓㟎 ䷥ಧಧ䘿⦷㦘儵 33 ₹幍帰゗䤓⇫❐ ⛗䘿⦷ Foscarini 䤓ℶ❐␛ₙᇭ 扨₹⺕幍帰゗䤓♑₝⮩⏒▥䤓┭ 㽤᧨ぶⰨ⦿⺕㄂嫰⅝幍帰␔⹈懻Ⓙ䞮 ℶ㡈㆞ₙ᧨ㄅⅳ␅㒟⃉ Foscarini ⏻ ⚇䤓㪖㉦㊶唑䍈ᇭ ⦷ Andrea Branzi 䦚㧴᧨㇢ₚ䤓 㒟┮扟嚴ಯ♹厌抩扖兓⚗⃃㢅䤓幍⮖ 㧴扪嫛ರಧಧ挲Kಯ挎⏜㓏㦘⮜㧑䤓 㨓抯ರ䤓䩼㦮力勹㢝䤓孔函 (2) ᇭ扨広㢝 䩼㤑₣⹕楕䤓╂⇫㢾ぴ₩₼ಯ㠿ರ㓚ぴ 唉欕⩮䤓䔈䍈ᇭ 扨䱜⪉ℝₜ㠼⸭悄 䤓浧㇉ㄵ䪣䴅᧨␅淔┪⦷ℝ⸒䤓扖䲚 ⑯⃝㢾兎㊶䤓᧨ㄅ₣楍ⅴ嬺䲚ㄞ▥᧨ Ⱁ⚛₏₹浧䱠㔏䤓⮥⮹䴉⸭洛⸳ᇭ⸒ ㇉庒扨䱜扭兼㊶䤓扖䲚᧨扨䱜㹞⮸扪 嫛䤓㻇⃔㊶≽㟈✛ₜ㠼⸛⠓䤓䕅㊐ 厌⮮ℶ䞮⒪㠿ಧಧ㹞₹㈽⺞䤓扪㷴 ♾厌㧴呹ℝ㩟₹䟀ℝ㊬冃䤓浧ㄵ㿊 恒㊶力㡯㎞梃⋩⒉䤓⏒侯椞㧉兓⚗ᇭ ㉆⦌ぴ䲚゗✛㨐䵾䤓⮹䴉䪣䴅⃚䓅 Wernher von Braun( 㦍Ⓟ⇫⒉∎↵ 㟵♦Ⓙ䫃⧞䤓 V2 䋺丼᧨ⅴ♙⃚⚝䤓 NASA 䤓⦮㢮℣⚆⸖⸨歭哈 ) ᧨⺈⋩䪣 䴅⃮㦘䧏₝ぴ▯₏㫆䤓䦚㽤᧨Ⅵ⺕␅ ⸩⃘⃉ಯ㇢㒠ₜ䩴拢㒠⦷⋩⅏⃗䤓㢅 ⊨᧨㒠⻀㢾⦷⋩䧏䪣䴅ರᇭ ♑劒㠖䖽᧶ 1) Luigi Pasinetti, Dinamica strutturale e sviluppo economico , UTET ⒉䓗䯍 , , 䶻 欄 (2) Andrea Branzi, Modernità debole e diffusa , Skira ⒉䓗䯍 , 伂⏿ ,2006, 䶻 53 欄 Mani nere ( 煠㓚 ) — Gianluca Vassallo p. 156 ⦷㒠⺞䤓㢅⊨᧨㒠帿㈦㒠䤓䓅⅁ ⦷摠▯䤓⹃ゼₙ⇬⌊䧏愺⷟᧨⦷␿⑆ 䤓榢夈䋾ₚ䂔㾦䧏Ⅵ䤓₏♛⮶㓚ᇭ㒠 帿㉕₼䤓挲♛ぷ㘛⥯デ㄃㘴屵㪠厑 力♧㈦煬煠᧨Ⅵ䞷₏♹㓚㙰䧏᧨⚛㢅 䞷♵₏♹㓚㾦Ⓠ䧏嬺䋺䎿▔⦃䧏䤓 愺⮓煠㤦₼䤓㉒厞ᇭ⬨ₙ㖑䧏ⰅⰅ䤓 䏶䓖᧨䏶䓖䤓朘⷟ₙ执朘䧏㦘⸹␄䟊 ⍞䤓㡴☕᧨㒠帿㈦⸹␄执✛泻㕘⮩兂 䵨⦷₏怆ᇭ␜ₙ槱㢾㒠ⱈⱈ⏎㢅䤓䏶 䓖ᇭ㒠䥾䧏㒠䤓䓅⅁᧨Ⅵ⻀㢾⦷扨㫆 䤓䘾⬒₼截啵╂⇫ᇭ 䓅⅁㉜♦䧏Ⓠ⷟䤓⣹檂᧨㓠燊䤓搇 ✂᧨⚛㢅匸微䧏㹜⅁䤓㉒㏎ᇭ 㒠帿㉕ ₼䓅⅁䤓挲欦㉒嬺㹜⅁䤓㏎㦪☚㈦ ⠧ₜ扖㺣㧴᧨⦷兞♦ℕ㘴扭ₜ㠼䤓㓢 ⒊⚝Ⅵ⻗㦜ℕ᧨挲欦㉒䌄⦷煬煠䤓⮶ 㓚₼桹桹♠⏘ᇭ 㒠⻀㢾扨㫆㕜ₚℕ 扨K兕㉒䤓ⅉ᧨㕜ₚℕⅥⅻ₏€ₜ啮 䤓┷⇫᧨㕜ₚℕⅥⅻ截╳╂⇫䤓⦿㡈 ⅴ♙Ⅵⅻ愺ₙ挲漫㢝䤓棅儶㪖㉦ᇭⅥ ⅻ䤓⮶㓚₼掌䱘㖐䧏₏欦㉒᧨㉒䌄䤓 㹞₹┷⇫掌厌䍈ℽⅥⅻ䤓⺙₴ᇭ 䓅 ⅁㼰㦘㆏梣䤓展摝᧨ₜ䩴拢年䞷⅏⃗ 㫆䤓幼岏㧴㙞承扨₹₥䟛᧨⇕㢾Ⅵ䤓 ♛㓚⅜䏅⦷挲⮸常㒠摜㠿⸰展ℕ扨₹ ⏔䅰㍙⠫䤓₥䟛ᇭ Visioni istantanee ( ⸭㢅 㣍䘿 ) — Massimo Gardone p. 158 ⥭欍☮㧴䤓㛓㈀Ⲏ╎᧨㒠♠䘿 㒠呹む⃮愺⮓扨䱜槭デ㓚ぴ䤓欈䥽 ₼ᇭ Foscarini 䤓⧉㓏♧㒟ℕ₏₹㛓 ㈀䘿⧉᧷₏ㆯ 8x10 䤓⏘ⷵぴ⇫♿✛ % :☂㣍厅䓖帿㇤ₚℕ₏₹䞮ℶ㈹ 䘾䤓兢㧮ᇭ₏♿槨㷱䤓␂桼䤓䋾᧨Ⰼ 㹣₏ↅ楤Ⓤ❐᧨⏔⒕㥃槁ℕ␅Ⓟ⇫㓏 ∎䞷䤓㧟㠨᧨帿㇤ℕ⸒䤓位兕㓚ぴぴ 唉ᇭ扨㢾₏⧉㄂䷘䤓㹣忪᧨挲K∎䞷 ⏘ⷵぴ⇫♿䤓㛓㈀゗䤓㓚ぴ㻃㄂⸛⏷ ⅝ぴⅉ䤓㓚ぴ㻃㄂₼㣍䘿⒉㧴ᇭ 㔏㦾≰㋾ Aplomb + Aplomb Large — Lucidi e Pevere, 2010/2016 p. 173 扨䱜䋾⦷ㇱ㊐ₙ≬䟨ℕ⛈Ⓟ⏒ ↅ䤓䡤抈᧨力䞮ℶぴ唉⸭棔∎䞷䤓㢾 㻃㽴᧨⚛㢅摖䞷ℕ⹅䞷㧟㠨⺈䋾⇢扪 嫛嫷槱✛☩ㄵ⮓䚕ᇭ₏㡈槱᧨椞䧏㦏 兗䤓⡆䪑⮓䚕᧨㻃㽴嫷槱⑞⺠ℕ㛸㝵 ┪᧨♵₏㡈槱᧨䟀ℝ㆏ⷣⷣ椨ㄵ䤓♧